![]() |
|||||||
|
|||||||
|
"The
poet's voice need not merely be the record of man, it can be one of
the props, the pillars to help him endure and prevail." No name is more synonymous with Mississippi River culture than Mark Twain. Nineteenth century river days were fully captured in Life on the Mississippi, yet it was through his humorous but satirical stories such as The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn that he introduced a new, uniquely American style of writing. In the 20th century, the Mississippi River writers who burst upon the literary scene turned a harsh spotlight on their history, their communities, and their own lives. Many of their stories and settings became crucial to America's understanding of itself. Growing up on the fringes of St. Paul society, F. Scott Fitzgerald illuminated Jazz Age characters infatuated with upper-crust society in The Great Gatsby. Sinclair Lewis exposed the hidden manners and morals of small-town Minnesota in Main Street. St. Louis poet T.S. Eliot wrote "The Waste Land," a meditation on human unease in the modern world. A fictitious Mississippi county was created by William Faulkner to explore family and racial tensions. Tennessee Williams captured the last remnants of faded New Orleans society in "A Streetcar Named Desire." Alex Haley exposed life from a slave's point of view in Roots. New Orleans
is haunted with literary spirits, as is St. Louis, Memphis, and The
Twin cities - novelists, historians, playwrights, poets - all linked
to the Mississippi River valley. They may focus on distinctly separate
regions, yet they merge as one to challenge American traditions and
attitudes.
Did
you know
?
Continue through exhibit |
|||||||
|
Return
to the exhibits main page
|
|||||||
|
Return
to the Hoover Library home page
|
|||||||